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<title type="text">Creation: Latest Articles (Atom)</title>
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<updated>2009-05-07T09:22:36+00:00</updated>
<author>
	<name>Creation</name>
	<email>info@creation.uk.com</email>
	<uri>http://www.creation.uk.com/</uri>
</author>
<id>http://www.creation.uk.com</id>
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	<entry>
		<title type="text">Future of Web Design &#39;08</title>
		<content type="html"><![CDATA[<p>2008 is the second year the <a href="http://www.futureofwebdesign.com">Future of Web Design</a> conference has been held.
After coming away last year with inspiration and a renewed sense of enthusiasm for the Web, I decided to attend again this
year – I also dragged <a href="/company/leigh-scott/" title="Leigh Scott">my boss</a> along to see what the fuss was about.
</p>

<p>FOWD looks at current trends in web development and their association with other media, such as fine art, and tries to
predict where the Web is going in the future. It&#8217;s a conference aimed at the web standards crowd, including both
designers and developers – as a developer, I&#8217;m always inspired by great design, and this conference has some great
examples.</p>

<p>Patrick McNeil from <a href="http://www.designmeltdown.com" title="Design Elements, Trends &amp; Problems in Web
Design">Design Meltdown</a> presented &#8220;Finding Inspiration For Design&#8221; which talked about using inspiration from
direct sources, such as fine art, billboards and commercials. Examples were shown which draw the user in to the website with
cut-out style pictures that invade the user&#8217;s phyiscal space. Patrick also talked about current trends such as the
colour brown and super-sized text. He briefly talked about potential future trends. He mentioned the use of pastel colours,
which I agree with, but I don&#8217;t think horizontal-scrolling websites and video-heavy websites will be globally
successful, but will work in some niche markets – especially in marketing and design portfolio websites.</p>

<p><a href="http://www.stuffandnonsense.co.uk" title="Stuff &amp; Nonsense">Andy Clarke</a> &amp; <a
href="http://www.pokelondon.com" title="Poke">Steve Pearce</a> debated whether &#8216;User Experience&#8217; and &#8216;Brand
Experience&#8217; had to be mutally exclusive. I didn&#8217;t really get much out of this segment and it didn&#8217;t seem
very well polished. However, Steve&#8217;s slides were extremely cute and unique. <a href="http://adactio.com/journal/1439/"
title="&quot;User Experience vs. Brand Experience&quot; review by Jeremy Keith">Jeremy Keith sums up Steve&#8217;s
presentation very well saying</a>:</p>

<blockquote>
  <p><strong>An experience iceberg</strong>. The visual part sits above the surface (what most people see) but the main part
(that people interact with) is below the surface. We spend too long focusing on the bit above the surface. It doesn’t
matter how much you polish the visible bit if it’s a wreck underneath. Basically, you can’t polish a turd …or a turdy
iceberg. Instead we should work on the experience, which is the stuff under the surface. The reason we should work on this is
that users will spread the word about good and bad experiences.</p>
</blockquote>

<p><a href="http://andybudd.com">Andy Budd</a> talked more about user experience with his presentation entitled
&#8220;Designing the User Experience Curve&#8221;. Andy&#8217;s talk was an interesting insight in to the minds of users, and
how they not only compare your website&#8217;s experience to other websites they&#8217;ve used, but also to real-world
scenarios. Andy talked about the <em>attention to detail</em>, user feedback and making the experience fun. Users remember
details and often mention them if they talk (promote) your product or service. Real-world examples include good concierge
service and a Innocent Smoothie making you smile with the words &#8220;Stop looking at my bottom&#8221; on the underside of
the carton. <a href="http://www.moo.com" title="We love to print">Moo</a>, a printing company, has this attention to detail
– they use quirky personalities in their automated emails – users remember good details and recommend such services, like
I&#8217;ve just done!</p>

<p><a href="http://elliotjaystocks.com">Elliot Jay Stocks</a> talked on &#8220;Print is the new web&#8221;, making
comparisons between what is available for the print industry (white-space, unusual layouts and breaking grid systems) and
what is limited on the web. Also comparing the different styles employed in Flash design to HTML/CSS and that each industry
should beinfluenced by each other.</p>

<p><a href="http://hicksdesign.co.uk" title="hicksdesign: design for print and new-fangled media">Jon Hicks</a>, who
doesn&#8217;t want to be famous for designing the Firefox logo, walked through building a basic website from scratch in to a
workable template using HTML and CSS in his presentation &#8220;From Design to Deployment&#8221;. I felt this presentation
was a little out of sync with the rest of the day, being more practical than design theory. However, I learned a couple of
gems which I will now apply to my web development. A tip I&#8217;d like to pass on is: use both the full name and PostScript
name of your fonts to make sure the font will work in both Safari and Firefox – <a href="http://gesteves.com/posts/247"
title="Helvetica Neue Light">Guillermo Esteves</a> has more information about this.</p>

<p><a href="http://litmusapp.com" title="Litmus: Painlessly test your email and website designs">Paul Farnell</a> went
through some of the &#8220;Unconventional ways to promote your site&#8221; with experience and examples from promoting his
web application. This was the first time I&#8217;ve seen Paul speak and he communicated his ideas very well. Most of the tips
can be applied to every website you build, and so this was a very useful presentation.</p>

<p><a href="http://deltatangobravo.com">Daniel Burka</a> who works on two large community-based websites, <a
href="http://digg.com">Digg</a> and <a href="http://pownce.com" title="Send stuff to your friends">Pownce</a>, presented
&#8220;Evolving the User Experience&#8221;, continuing the theme of the day. Many of the things Daniel talked about, such as
iteration and community feedback were very useful and insightful because of the community applications he works on. However,
I do not think this was the correct target audience for this information as I doubt the majority of people have the traffic,
scaling issues and community of these sites. This was an interesting talk but I felt nothing which was really of use for
me.</p>

<hr />

<p>Overall, like last year, although I didn&#8217;t necessarily learn a lot, I came away from the conference with a renewed
passion for the Web, and couldn&#8217;t wait to get back to a computer and start tinkering with ideas which welled up
throughout the day.</p>

<p>Going to conferences is a great way to rejuvenate interest and interact with enthusastic colleagues. I always come away
with at least one new idea I think could work and this time was no exception.</p>]]></content>
		<link rel="alternate" href="http://www.creation.uk.com/news/2008/04/24/future-of-web-design-08/" type="text/html" hreflang="en" />
		<id>tag:creation.uk.com,2008-04-24:/news/2008/04/24/future-of-web-design-08/</id>
		<updated>2008-04-24T11:16:54+00:00</updated>
		<published>2008-04-24T11:02:16+00:00</published>
		<html:abbr class="published updated" title="2008-04-24">Thu 24th Apr 2008 at 11:16</html:abbr>
		<author>
			<name>Trevor Morris</name>
			<html:img><![CDATA[<img src="http://www.creation.uk.com/images/icons/large/trevor-morris.gif" height="108" width="108" alt="Photo of Trevor Morris" class="photo" />]]></html:img>
			<uri>http://www.creation.uk.com/company/trevor-morris/</uri>
		</author>
	</entry>
	<entry>
		<title type="text">New Agila launch</title>
		<content type="html"><![CDATA[<p>Vauxhall have now successfully launched the <em><a href="http://www.newagila.co.uk">New Agila</a></em> replacing the
outgoing model. We are proud to have been selected by Vauxhall to design and produce the press kit to accompany the launch.
The launch event was a great success. We are now just waiting to spot the first one on the road. No prizes though I&#8217;m
afraid.</p>

<p>The New Agila is smart and sexy – the ideal urban runaround. It&#8217;s small enough to fit into the tightest of spaces
yet spacious enough to seat five people and their luggage. It is aimed at a slightly different, mainly female, market and
with this in mind we came up with the concept of a fashion conscious woman&#8217;s magazine for the basis of the press
kit.</p>

<p>The size, styling and spoof ads inside all contributed to the look and feel we were after. The whole thing, including the
CD which was cleverly held on the inside cover, was then sealed in a glossy film sleeve to finish it off.</p>

<p>The launch team were very pleased with the finished result and everyone at Creation is looking forward to coming up with
more creative solutions for Vauxhall.</p>]]></content>
		<link rel="alternate" href="http://www.creation.uk.com/news/2008/04/14/new-agila-launch/" type="text/html" hreflang="en" />
		<id>tag:creation.uk.com,2008-04-14:/news/2008/04/14/new-agila-launch/</id>
		<updated>2009-05-07T09:22:44+00:00</updated>
		<published>2008-04-14T14:02:05+00:00</published>
		<html:abbr class="published updated" title="2009-05-07">Thu 7th May 2009 at 09:22</html:abbr>
		<author>
			<name>Rich Rees</name>
			<html:img><![CDATA[<img src="http://www.creation.uk.com/images/icons/large/rich-rees.gif" height="108" width="108" alt="Photo of Rich Rees" class="photo" />]]></html:img>
			<uri>http://www.creation.uk.com/company/rich-rees/</uri>
		</author>
	</entry>
	<entry>
		<title type="text">Helvetica The Movie</title>
		<content type="html"><![CDATA[<p><a href="http://www.helveticafilm.com"><em>Helvetica</em></a> is a feature-length independent film by Gary Hustwit about
the font itself, typography, graphic design and global visual culture. It explores how, over the last 50 years, Helvetica has
touched every part of our lives and how it has become a ubiquitous design icon.</p>

<p>The film contains interviews and opinion from many of the calligraphers, typographers and designers who have been
involved with the creation of, use of and rebellion against Helvetica.</p>

<p><a href="/company/leigh-scott/">My review</a></p>

<blockquote>
  <p>Thoroughly enjoyed the film and all the extra interview material. It was a rare opportunity to hear what generations of
typographers and designers think of Helvetica and how they see its role. Eric Spiekermann, Matthew Carter and of course the
legendary Hermann Zapf were truly inspiring. </p>
  
  <p>I love Helvetica. It is such a versatile font family but I can see the need to express personality through typography
and therefore, the necessity to choose appropriate fonts and encourage new type design. The big questions are will there be
another Helvetica and will there be a sequel to this movie?</p>
</blockquote>

<p><a href="/company/trevor-morris/">Trevor&#8217;s review</a></p>

<blockquote>
  <p>As a web developer I do not interact with different fonts on a daily basis, however, I do appreciate good typography.
This film was a good introduction in to the most important typeface in todays society. The film follows the timeline of the
font, from it&#8217;s inception 50 years ago, through a rebellion period and emerging as the &#8216;defecto&#8217; font in
everyday society (whether you realise it or not!).</p>
  
  <p>I felt some parts of the film put too much emphasis on the importance of the font in relation to globalisation,
commercialism and politics – even relating the font to the Vietnam war and the current invasion of Iraq. However, the
segments by <a href="http://www.spiekermann.com">Erik Spiekermann</a>, <a
href="http://www.experimentaljetset.nl">Experimental Jetset</a> and <a href="http://wearebuild.com">Michael C. Place</a> were
interesting and educational without being pretentious.</p>
  
  <p>The film is well shot and the cinematography of the stills which artfully reveal the use of the font all around us are
beautiful.</p>
</blockquote>

<p>More information about the film is available at <a href="http://www.helveticafilm.com">helveticafilm.com</a></p>]]></content>
		<link rel="alternate" href="http://www.creation.uk.com/news/2008/01/22/helvetica-the-movie/" type="text/html" hreflang="en" />
		<id>tag:creation.uk.com,2008-01-22:/news/2008/01/22/helvetica-the-movie/</id>
		<updated>2008-01-31T11:08:21+00:00</updated>
		<published>2008-01-22T12:33:48+00:00</published>
		<html:abbr class="published updated" title="2008-01-31">Thu 31st Jan 2008 at 11:08</html:abbr>
		<author>
			<name>Leigh Scott</name>
			<html:img><![CDATA[<img src="http://www.creation.uk.com/images/icons/large/leigh-scott.gif" height="108" width="108" alt="Photo of Leigh Scott" class="photo" />]]></html:img>
			<uri>http://www.creation.uk.com/company/leigh-scott/</uri>
		</author>
	</entry>
	<entry>
		<title type="text">Microformats</title>
		<content type="html"><![CDATA[<p><a href="http://microformats.org">Microformats</a> are a simple, standardised way of extending the language of the web
(HTML) to imitate existing standards (for example, vcard, atom, etc.). Webpages which use Microformats can then be parsed and
exported for use within other applications.</p>

<p>Microformats were first announced over two years ago and since then have gained massive traction as developers simply
started modifying their existing infrastructure to include this extra data. The tech industry major players all agree on the
importance of Microformats. At Mix06, Microsoft CEO Bill Gates stated <a
href="http://microformats.org/blog/2006/03/20/bill-gates-at-mix06-we-need-microformats/">&#8220;We need
Microformats&#8221;</a>. Since then, Yahoo! has integrated Microformats in to literally millions of pages. <a
href="http://microformats.org/blog/2006/06/21/yahoo-local-supports-microformats/">Yahoo! Local</a> supports hCards,
hCalendars and hReviews and Yahoo! acquisitions Flickr and Upcoming support hCards and events respectively.</p>

<p>We understand the importance of Microformats here at Creation. Our <a href="/company/trevor-morris/" title="Profile for
Trevor Morris">profile pages</a> contain hCards. Our hot topics, news articles and comments are all marked up with hAtom,
which allows users to subscribe to these pages and their changes automatically.</p>

<p>All of our <a href="/services/websites/">web packages</a> contain Microformats to varying degrees. Each page on our
packages uses the hAtom syntax and your company details are marked up as a hCard. If you use address module (available in <a
href="/services/websites/goactive/">GoActive packages</a> and above), more information is added, including address and
telephone number – this information can be exported to vCard-compatible address management tools, such as Outlook or
Address Book for the Mac.</p>

<p>If you use or buy one of our <a href="/services/websites/">web packages</a> (or any custom website) you&#8217;ll
understand the immediate advantages of Microformats this coming year. Browser manufactures are integrating features which
will make interacting with Microformat-enabled websites a breeze. Look out for these features in the upcoming Firefox 3 and
the next Internet Explorer.</p>]]></content>
		<link rel="alternate" href="http://www.creation.uk.com/news/2008/01/10/microformats/" type="text/html" hreflang="en" />
		<id>tag:creation.uk.com,2008-01-10:/news/2008/01/10/microformats/</id>
		<updated>2008-01-10T13:21:56+00:00</updated>
		<published>2008-01-10T10:49:17+00:00</published>
		<html:abbr class="published updated" title="2008-01-10">Thu 10th Jan 2008 at 13:21</html:abbr>
		<author>
			<name>Trevor Morris</name>
			<html:img><![CDATA[<img src="http://www.creation.uk.com/images/icons/large/trevor-morris.gif" height="108" width="108" alt="Photo of Trevor Morris" class="photo" />]]></html:img>
			<uri>http://www.creation.uk.com/company/trevor-morris/</uri>
		</author>
	</entry>
	<entry>
		<title type="text">Christmas e-shot offer</title>
		<content type="html"><![CDATA[<p>Now&#8217;s the time to be getting your Christmas card list together and getting your Christmas cards designed and
printed. Of course, this is something we could arrange for you. But there is another option available to you either as an
alternative to Christmas cards or as an addition to promote awareness – a designed <em>Christmas e-shot</em>.</p>

<p>If you are not sure, an e-shot is the electronic equivalent of direct mail (or a Christmas card), sent and received as an
email. So when you receive an email containing pictures and graphics which may even look like a website, that&#8217;s an
e-shot. Recipients of an e-shot are usually your current customers or anyone who has requested regular updates. An e-shot can
take many forms, perhaps a simple news bulletin, seasonal greetings, a marketing message or a more detailed e-zine type
e-newsletter. The advantages of using this medium to contact your customers are the speed a campaign can be created, the cost
effectiveness and the ability to monitor the success of your campaign.</p>

<p>We have developed a low cost offer to allow everyone to send a <em>Christmas e-shot for only £197</em>. Simply choose
from one of the three e-shot designs, supply us with your text, logo and list of up to 500 recipients and we&#8217;ll do the
rest. Once the campaign has been sent you will be given access to your own online area to check and monitor your campaign
statistics. If you would like to increase the number of recipients we can do that for you too for marginal cost. We can also
customise the standard e-shots designs a little or even create your very own <a
href="http://www.creation.uk.com/services/advertising/e-shot-design/">totally custom design from £595.</a></p>

<p>So – you could replace your current Christmas card routine with our Christmas e-shot and save money on design,
printing, packing and postage. As well as reducing your carbon footprint. Or send out a Christmas e-shot as and addition to
tell your customers about Christmas opening and closing times, other seasonal variations in service or even special offers.
Then for just an extra £45 we could resend the same campaign for you to make sure everyone has seen and noted the
content.</p>

<p>The whole thing could be turned around within 24 hours for you, so none of those last minute panics.</p>

<p>You can <a href="mailto:leigh@creation.uk.com">email</a> or call me on <em>01785 716136</em> if you would like to find
out more about <em>Christmas e-shot design</em> or anything else to do with <em>e-marketing</em>.</p>]]></content>
		<link rel="alternate" href="http://www.creation.uk.com/news/2007/11/19/christmas-eshot-offer/" type="text/html" hreflang="en" />
		<id>tag:creation.uk.com,2007-11-19:/news/2007/11/19/christmas-eshot-offer/</id>
		<updated>2007-11-19T17:46:14+00:00</updated>
		<published>2007-11-19T10:33:48+00:00</published>
		<html:abbr class="published updated" title="2007-11-19">Mon 19th Nov 2007 at 17:46</html:abbr>
		<author>
			<name>Leigh Scott</name>
			<html:img><![CDATA[<img src="http://www.creation.uk.com/images/icons/large/leigh-scott.gif" height="108" width="108" alt="Photo of Leigh Scott" class="photo" />]]></html:img>
			<uri>http://www.creation.uk.com/company/leigh-scott/</uri>
		</author>
	</entry>
	<entry>
		<title type="text">Winning Business</title>
		<content type="html"><![CDATA[<p>If you are free for an hour or two on Tuesday 6th November you may like to drop into the <em>Winning Business Think Local
Exhibition 2007</em> at Drayton Manor Theme Park – the area&#8217;s largest business exhibition. Entry is free and you will
get the opportunity to meet hundreds of local business leaders.  </p>

<p>The Winning Business exhibition is open from 8.00am until 5.00pm and takes place in the Ballroom, Lounge, Hamilton Suite
and Missanda Suite with over 100 top businesses represented. Creation are sharing stand 83 with Chase Promotions in the
Ballroom if you would like to drop by and see us and find out more about our design and web development services.</p>

<p>A <em>Winning Business Think Local Exhibition 2007</em> catalogue will be available to you on the day containing details
of all the exhibitors. There are also free business skills and training workshops and of course the opportunity to network
with hundreds of other local businesses.</p>

<p>The whole event has been organised by Think Local, East Staffordshire Borough Council, Lichfield District Council,
Tamworth Borough Council and Staffordshire Chamber of Commerce &amp; Industry. Representatives from them all will be on hand
during the day to offer expert help and advice for companies looking to develop their marketing effectiveness and tackle
other key issues affecting their business.</p>

<p>See you there!</p>]]></content>
		<link rel="alternate" href="http://www.creation.uk.com/news/2007/11/01/winning-business/" type="text/html" hreflang="en" />
		<id>tag:creation.uk.com,2007-11-01:/news/2007/11/01/winning-business/</id>
		<updated>2007-11-06T09:10:33+00:00</updated>
		<published>2007-11-01T10:51:34+00:00</published>
		<html:abbr class="published updated" title="2007-11-06">Tue 6th Nov 2007 at 09:10</html:abbr>
		<author>
			<name>Leigh Scott</name>
			<html:img><![CDATA[<img src="http://www.creation.uk.com/images/icons/large/leigh-scott.gif" height="108" width="108" alt="Photo of Leigh Scott" class="photo" />]]></html:img>
			<uri>http://www.creation.uk.com/company/leigh-scott/</uri>
		</author>
	</entry>
	<entry>
		<title type="text">Our Web Packages &#38; SEO</title>
		<content type="html"><![CDATA[<p>If you&#8217;re looking for a <a href="/services/websites/" title="Check out our Website Packages">new website</a> or
already have one, getting visitors to your website is a primary goal. SEO or <a
href="http://en.wikipedia.org/wiki/Search_engine_optimization">Search Engine Optimisation</a> is the set of techniques which
will help you achieve this goal.</p>

<p>The SEO industry helps companies with a web
presence achieve better rankings within search engines. There are a lot of different methods used by SEO companies. Some of
these can improve your rankings. Others, however, can adversely affect your business.</p>

<p>A lot of the reasons behind using a company specialising in SEO no longer apply in the web-standards based development
environment. <a href="/services/websites/">Our web packages</a> are built with all the best practices in mind. Because of
this, large, expensive and involved after-market SEO campaigns are almost always unnecessary and usually have very little
impact on your search enginge ranking.</p>

<p><a href="/services/websites/">Our web packages</a> employ numerous techniques which help your site gain good results in
search engines from day one. We use the following techniques to help you achieve good search engine rankings:</p>

<h4>Structured, semantic HTML</h4>

<p>Our web packages are built using the latest web standards best practices. The templates use semantic HTML and are styled
with CSS. <a href="http://microformats.org">Microformats</a> are also used throughout the packages. All of these factors help
search engines understand your content and allow them to process the information better.</p>

<h4>XML sitemaps</h4>

<p>Our web packages automatically generate <a href="http://sitemaps.org">XML sitemaps</a> for your entire site. When we
complete your website, we also submit them to Google and Yahoo! This helps search engines find your site and all your pages.
If your website is brand new, this is a great starting point, especially if your website does not have any incoming
links.</p>

<h4>Nice and SEO-friendly URLs</h4>

<p>Our web packages also generate your page URLs based on the title of your page. This has a threefold effect. Firstly, it
means the URLs are easy to read, understand and remember. Secondly, because the URLs are based on your page title, the
keywords of each page are duplicated. Finally, search engines emphasise words within the URL, so your keywords are even
stronger.</p>

<p>Every website we build, whether it&#8217;s a <a href="/services/websites/">web package</a> or completely custom, features
all these SEO-based techniques.</p>

<h4>Completing your SEO Campaign</h4>

<p>There are two other influential factors which will help make your SEO campaign a success. First of all we can advise on
the content for your site – remember <a href="http://www.akamarketing.com/content-is-king.html" title="An Internet
marketing article by David Callan">content is king</a>. And we can also help you build links to your website because the more
ways search engines can find your site the better! These two factors will have the biggest impact in your search engine
ranking.</p>

<p>If you wish to find out more, please <a href="/contact/">get in touch</a>.</p>]]></content>
		<link rel="alternate" href="http://www.creation.uk.com/news/2007/10/25/our-web-packages-seo/" type="text/html" hreflang="en" />
		<id>tag:creation.uk.com,2007-10-25:/news/2007/10/25/our-web-packages-seo/</id>
		<updated>2007-10-25T09:58:41+00:00</updated>
		<published>2007-10-25T09:45:53+00:00</published>
		<html:abbr class="published updated" title="2007-10-25">Thu 25th Oct 2007 at 09:58</html:abbr>
		<author>
			<name>Trevor Morris</name>
			<html:img><![CDATA[<img src="http://www.creation.uk.com/images/icons/large/trevor-morris.gif" height="108" width="108" alt="Photo of Trevor Morris" class="photo" />]]></html:img>
			<uri>http://www.creation.uk.com/company/trevor-morris/</uri>
		</author>
	</entry>
	<entry>
		<title type="text">Reasons to re-brand</title>
		<content type="html"><![CDATA[<p>There are many reasons for re-branding - an external event may have changed the position for your product in the market
place, maybe you have recently merged with another company or most commonly you recognise that you simply need a fresh change
of clothes to stay inline with the competition. Popular consumer brands are ever evolving their marketing and packaging in an
attempt to endear customers through the &#8216;attitude&#8217; and &#8216;personality&#8217; of their brand.</p>

<p>I remember when Bradford and Bingley were two middle-aged gentlemen in pinstripe suits and bowler hats, presumably
because only &#8216;business men&#8217; have bank accounts - right? The latest face of Bradford &amp; Bingley is an
attractive and friendly young woman in a lime green shirt and, of course, a bowler hat - which is now just for comedy effect,
oh and brand recognition. Perfectly approachable and without a whiff of stock-market or Financial Times about her.</p>

<p>I have put together some points about re-branding, really in terms of the evolution of an existing corporate ID rather
than a total corporate rebirth, to help you determine whether it&#8217;s time for a fresh set of clothes.</p>

<h4>10 Reasons to re-brand</h4>

<ul>
<li>To revitalise an existing brand</li>
<li>To incorporate major changes in the product or service</li>
<li>To improve customer connection</li>
<li>To improve the image of the product and increase sales</li>
<li>To increase competitiveness and reduce threat from new entrants</li>
<li>If you don&#8217;t already have a brand, you have a collection of logo versions and collateral materials</li>
<li>If you feel you have lost touch with the people you intended to attract</li>
<li>If you want your company to appear &#8216;forward thinking&#8217;</li>
<li>If your competition has a better image</li>
<li>If your customers don&#8217;t recognise your brand or can&#8217;t figure out what you do</li>
</ul>

<h4>5 Re-branding fears</h4>

<h5><em>Existing customers will not recognise us</em></h5>

<p>It is a common concern that change could put a lot of goodwill and customer loyalty at risk. I would not condone a
re-brand that was a complete U-turn unless the current brand was obviously turning customers away. These days people expect
improvements to products and services which cater evermore specifically to the needs of the individual. A modest brand
makeover could actually help to reinforce existing customer loyalty by contributing to &#8216;post purchase
justification&#8217; and ultimately attract new ones. </p>

<h5><em>It will cost too much</em></h5>

<p>What better reason could there be? The knock-on effect of a complete re-brand is undoubtedly a lengthy and costly
exercise. My advice here would be evolve the brand over time and introduce changes in smaller steps - this way the cost of
the new look would be built into the next print run or advert placement, website update or exhibition in such a way that two
generations of corporate ID could co-exist and retain synergy. Car manufacturers constantly introduce
&#8216;evolutionary&#8217; style changes across their model range without letting a single model become the black sheep.</p>

<h5><em>If it ain&#8217;t broke…!</em></h5>

<p>I would be the first to agree that this is a strong argument against a wash and brush up. This attitude suggests that you
are obviously doing something right - for now. However, in any marketplace expectations are constantly rising and it is
always prudent to keep a close eye on the competition.</p>

<h5><em>I&#8217;m skeptical about the benefits of a cohesive brand</em></h5>

<p>I&#8217;ve heard this argument many times and usually goes hand in hand with acute niché markets or the very naive. If
you are lucky enough to have a product or service that wouldn&#8217;t benefit from a clear brand, marketing plan or customer
focused service standards then keep up the good work. As for the rest, you probably won&#8217;t need to use your seat-belt on
the way home either.</p>

<h5><em>People will think we have resurrected a failed business</em></h5>

<p>Well have you? This mindset might strike fear into the heart of a supplier who&#8217;s hanging on for that &#8216;check
in the post&#8217; but if you feel you have found a great name and can provide real value and meaning to your product or
service this could be exactly what your brand needs. You can advertise your re-brand as a celebration of success, and at the
same time attract interest away from the competition.</p>

<h5><em>-</em></h5>

<p>It is difficult to attribute success to any single influence. The quality of your product or service, customer brand
loyalty, the effectiveness in which you communicate to your market and how you compare to the competition are just a few of
the factors that contribute to securing a sale. But I would always prefer to make a good impression when I take my brand to
market, than hope no-one notices it.</p>]]></content>
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		<id>tag:creation.uk.com,2007-10-18:/news/2007/10/18/reasons-to-rebrand/</id>
		<updated>2007-11-01T16:48:07+00:00</updated>
		<published>2007-10-18T10:50:00+00:00</published>
		<html:abbr class="published updated" title="2007-11-01">Thu 1st Nov 2007 at 16:48</html:abbr>
		<author>
			<name>Tim Webley</name>
			<html:img><![CDATA[<img src="http://www.creation.uk.com/images/icons/large/tim-webley.gif" height="108" width="108" alt="Photo of Tim Webley" class="photo" />]]></html:img>
			<uri>http://www.creation.uk.com/company/tim-webley/</uri>
		</author>
	</entry>
	<entry>
		<title type="text">Education in Print</title>
		<content type="html"><![CDATA[<p>It is that time of year again. Further education colleges up and down the country are finalising their course guides for
the 2008 intake. This week <strong>Tamworth &amp; Lichfield College</strong> and <strong>Kingston College</strong> will be
receiving their newly printed course guides from us.</p>

<p>For most colleges there are two major publications each year, the part time guide and the full time guide. The part time
guide is usually published during the Summer term for the intake of part time students in September of the same year. The
full time guide is completed and printed over the Summer or early in the Autumn term. This guide is then sent out and made
available to potential students joining the college in September the following year. This poses a few presentation problems
for colleges as you have two publications initially out at similar times but overlapping with each other during previous and
following years. However, if a design strategy is in place for organic development of design styles the college branding is
upheld and publications happily blend from one to another. This is something we try to implement with everything we do for
our college clients.</p>

<p>With a few colleges we have managed to build a long standing relationship and help them at every step of the way. This
consistency and commitment from us to always give the very best has paid dividends, with exceptional inspection reports and
positive feedback from both students and staff. This commitment and dedication is something we offer all our clients, after
all, creating the perfect solution is always our goal.</p>

<p>Creation has worked with a long list of colleges over the years, completing almost 700 education projects. These include
corporate ID, course guides, part-time guides, full-time guides, diaries, websites, international publications, advertising,
display panels, posters, photography, signage, touchscreens and a whole lot more. As you can see we have masses of experience
in the education sector and can always offer the best, most efficient solution to any problem. We are finding more and more
that new technology and techniques are paving the way to cost effective solutions with online developments providing the
key.</p>

<p>If you would like to find out more about how you can benefit from our education experience just drop me an email <a
href="mailto:leigh@creation.uk.com">leigh@creation.uk.com</a>.</p>]]></content>
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		<id>tag:creation.uk.com,2007-10-11:/news/2007/10/11/education-in-print/</id>
		<updated>2007-10-11T14:32:33+00:00</updated>
		<published>2007-10-11T11:50:16+00:00</published>
		<html:abbr class="published updated" title="2007-10-11">Thu 11th Oct 2007 at 14:32</html:abbr>
		<author>
			<name>Leigh Scott</name>
			<html:img><![CDATA[<img src="http://www.creation.uk.com/images/icons/large/leigh-scott.gif" height="108" width="108" alt="Photo of Leigh Scott" class="photo" />]]></html:img>
			<uri>http://www.creation.uk.com/company/leigh-scott/</uri>
		</author>
	</entry>
	<entry>
		<title type="text">dConstruct 2007</title>
		<content type="html"><![CDATA[<p>Last week I had the pleasure of visiting Brighton to attend the <a href="http://2007.dconstruct.org" title="User
Experience Design Conference">2007 dConstruct conference</a>. This is a small grass roots conference by <a
href="http://clearleft.com" title="Web Design and Accessibility Consultants">Clearleft</a> which is billed as &#8216;an
affordable, one-day conference aimed at those designing and building the latest generation of web-based applications&#8217;.
The topic for this third annual conference was <strong>Designing the User Experience</strong>.</p>

<p><a href="http://www.uie.com" title="User Interface Engineering">Jared Spool</a> opened the conference with his
enthusiastic, engaging and entertaining presentation entitled &#8220;<em>The Dawning of the Age of Experience</em>&#8221;.
Jared talked about the iPod (as did almost every presentation). The iPod isn&#8217;t the best MP3 player technologically
speaking, but because the user experience is so rich the device is by far the highest selling product in the market. The iPod
doesn&#8217;t have all the features other MP3 players have, but functionality commonly found on other devices has been
cleverly moved to iTunes. More often than not you manage your music on a computer and Apple has recognised this behaviour.
They have moved such functionality to iTunes leaving the iPod less cluttered and easier to use – all which lead to
<em>great user experience</em>. This great user experience is something you should be building in to every service you
provide.</p>

<p>Jared also compared <a href="http://www.netflix.com" title="Netflix DVD Rental">Netflix</a>, a relatively new online-only
movie rental company, to <a href="http://www.blockbuster.com">Blockbuster</a>, the well established DVD rental company, with
over five-thousand stores in the US alone. Over recent years Netflix has become twice as large as Blockbuster. But they
don&#8217;t advertise and they don&#8217;t have retail stores, so why have they become so successful? They found out 85% of
existing customers had a friend recommend the service to them. Because they spend their money of designing their website and
improving user experience, they do not need conventional marketing to become extremely successful. <strong>User experience
makes and breaks products and services.</strong></p>

<p>Jared was followed by another American, <a href="http://peterme.com" title="Links, thoughts, and essays from Peter
Merholz">Peter Merholz</a>, who works for <a href="http://adaptivepath.com" title="An experience strategy and design firm
based in San Francisco">Adaptive Path</a> and talked on the subject of &#8220;<em>Experience Strategies</em>&#8221;. Peter
started with a history lesson about camera development in the late eighteen-hundreds.</p>

<p>Up to the turn of the nineteenth century, photography wasn&#8217;t very accessible, requiring complex understanding of
fundamentals and needing seventeen steps to complete the process. Kodak developed a &#8220;3 step camera&#8221; and their
slogan was &#8220;<em>You press the button, we do the rest</em>&#8221;. Kodak didn&#8217;t change how photographs were
developed, they simply recognised that the user should not need to know this information to take photographs. All the user
had to do was push the button and send the film off, Kodak then did the rest. And because of this user experience Kodak have
been the premier brand in the photography industry for over one hundred years.</p>

<p>Secondly Peter talked about a pyramid of product evolution:</p>

<ul>
<li>At the bottom is the underlying product technology.</li>
<li>Second are features. Features make technology more usable. Beware, simply cramming in features can ruin a product.</li>
<li>Finally, experience is the most important part of the pyramid. Focus on what people want to do, and hide the rest —
see the iPod!</li>
</ul>

<p>All these steps are required and each is important, but the user experience can either ruin or make the product a great
success.</p>

<p>The first two presentations complemented each other perfectly. Peter referenced and expanded upon information which Jared
had just talked about and the two speaker styles fitted together very well. Both speakers were engaging, knowledgeable and
able to communicate their experience extremely well.</p>

<p>After lunch <a href="http://adactio.com">Jeremy Keith</a>, one of the event organisers, introduced <a
href="http://cameronmoll.com" title="Authentic Boredom is the platitudinous web home of Cameron Moll">Cameron Moll</a> for
the so-called &#8220;graveyard-watch&#8221;, in which he presented &#8220;<em>Good vs. Great Design</em>&#8221;. Cameron
talked about choices which distinguish great design from good design and stated that this contributes to user experience
because &#8220;great design yields meaningful communication&#8221;. Cameron posed the following question, which I felt was
intriguing…</p>

<blockquote>
  <h4>Using a microwave, which takes less time?</h4>
  
  <ol>
  <li>Heating water for <strong>one minute</strong> and <strong>ten seconds</strong>?</li>
  <li>Heating it for <strong>one minute</strong> and <strong>eleven seconds</strong>?</li>
  </ol>
</blockquote>

<p>A trick question? Partially. Below this question Cameron stated &#8220;User productivity trumps machine
productivity&#8221;. Although it maybe quicker for the machine (microwave), the overall process for the <em>user</em> is
slower. In choice one the user has to locate two buttons, 1 and zero, which are usually positioned away from each other. The
second choice requires one button, and therefore is quicker for the user. This is very important to remember when developing
any software applications, you should think about user efficiency over the ease of programming.</p>

<p>Finally, the conference finished with <a href="http://plasticbag.org" title="A weblog by Tom Coates concerning future
media, social software and the web of data">Tom Coates</a>, a former employee at the BBC who is currently heading up a very
interesting research project called <a href="http://fireeagle.research.yahoo.com">FireEagle</a> at Brickhouse Yahoo!. Tom
talked on the most technical-orientated subject of the day in his presentation &#8220;<em>Designing for a Web of
Data</em>&#8221;.</p>

<p>I am very interested in the &#8216;web of data&#8217; idea – all of the possibilities and phenomenal potential it
contains. I believe this topic will be a huge part of the internet in the next few years. If you are intrigued I highly
recommend viewing Tom&#8217;s other presentation on the subject &#8220;<em>Native to a Web of Data</em>&#8221;. You can <a
href="http://www.plasticbag.org/archives/2006/02/my_future_of_web_apps_slides/">view the slides</a> and <a
href="http://www.carsonworkshops.com/summit/2006/london/" title="Audio from all the presentations at The Future of Web Apps
2006">listen to the audio</a> from the presentation which I watched at The Future of Web Apps in early 2006.</p>

<h4>Other presentations</h4>

<p><a href="http://www.disambiguity.com">Leisa Reichelt</a> presented &#8220;<em>Waterfall Bad, Washing Machine
Good</em>&#8221; in which she talked about project development methodologies, discussing the differences between sequential
methodologies and &#8216;iterative, incremental and collaborative/cross-disciplinary methodologies&#8217;. The talk was more
project-management orientated, but enlighten the benefits of Agile and User Centred Design (UCD) practices.</p>

<p><a href="http://george08.blogspot.com">George Oates</a> and <a href="http://www.kaiusdesign.com">Denise Wilton</a> had an
informal chat on the sofa entitled &#8220;<em>Human Traffic</em>&#8221;. These two talked about the processes their
respective companies go through when making design and interface choices and how they are handled in the fast
response/feedback nature of the internet. Personally, this was my least favourite talk of the conference.</p>

<p>&#8220;<em>The Experience Stack</em>&#8221; presented by <a href="http://interconnected.org/home/">Matt Webb</a> was an
interesting talk. Matt threw away common presentation structure and gave a sporadic and sprawling talk about
&#8216;experience&#8217;. I felt some of the slides were confusing and because of the unrelated nature of the presentation,
understanding the overall premise was difficult. Matt has <a
href="http://schulzeandwebb.com/blog/2007/09/09/the-experience-stack-at-dconstruct-2007/" title="The Experience Stack at
d.construct 2007">understood there was a problem</a> with his talk but has tried to address this in an article called <a
href="http://schulzeandwebb.com/blog/2007/09/09/the-experience-stack-revisited/">The Experience Stack revisited</a>. Matt has
put his <a href="http://schulzeandwebb.com/2007/stack/">slides online</a> with extensive notes.</p>

<p>Overall I really enjoyed the conference and thought it was a great success. <a href="http://www.andybudd.com">Andy
Budd</a>, one of the organisers, <a href="http://www.andybudd.com/archives/2007/09/deconstructing/" title="deconstructing
dConstruct 2007">summed up the conference</a> and mentioned what I felt about conferences in general:</p>

<blockquote>
  <p>The best conferences I find are always the ones that try to inspire rather than educate. … [we] walked into the
office this morning with a renewed interest in our field and a desire to try out some new techniques and ideas. I hope you
felt the same way.</p>
</blockquote>

<p><strong>I did.</strong></p>]]></content>
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		<id>tag:creation.uk.com,2007-09-18:/news/2007/09/18/dconstruct-2007/</id>
		<updated>2007-09-18T12:52:05+00:00</updated>
		<published>2007-09-18T12:52:05+00:00</published>
		<html:abbr class="published updated" title="2007-09-18">Tue 18th Sep 2007 at 12:52</html:abbr>
		<author>
			<name>Trevor Morris</name>
			<html:img><![CDATA[<img src="http://www.creation.uk.com/images/icons/large/trevor-morris.gif" height="108" width="108" alt="Photo of Trevor Morris" class="photo" />]]></html:img>
			<uri>http://www.creation.uk.com/company/trevor-morris/</uri>
		</author>
	</entry>
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